Todos los autores –prolijamente seleccionados e invitados a participar en la publicación por los coordinadores- han sabido conjugar en un cuidadoso relato, la asociación entre esta emblemática figura y los lenguajes más heterogéneos que el arte nos puede consagrar.

The issue will
focus on the implications of the introduction of production, distribution, and exhibition technologies and formats on media and audience practices in the “non-western” world during the last 115 years.

Questions of post-race,
post-gender, and post-human identities have been consistently raised within
the disciplines of Critical Race Theory, queer theory, new media theory, and
gender studies, and this issue will examine the implications of these claims
and their relationship to the field of media studies.